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Most old photo papers used silver in their emulsions.
As time passes this silver tends to migrate to the surface of the print creating tell-tale metallic patches.
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Collotypes, which provide the finest detail of all printing methods are sometimes confused with real photo postcards.
The presence of a photographers name is not a definite indication of when a card was made or even who made it.The printing of the photographer’s or manufacturer’s name on the back of real photos was an expensive proposition.This practice was only cost effective on cards printed in large numbers; individuals and small photo studios could rarely afford to do so. While many amateur photographers numbered their cards this was most often done by larger studios.But even here the effect is more of a softening of detail than a observable texture.Early real photo postcards are small by their very nature and since most were contact printed, not enlarged, there is no visible texture.